Her vocals have always been the highlight of her music, but even here it’s sometimes difficult to understand her crooning, to contemplate exactly what she is singing about. Opening with “ Cruel World“, Del Rey sounds on the verge of inebriation as she glides through a six-minute, slow, blues-sounding track describing her new freedom from an abusive relationship. It definitely showcases an evolution, but whether it is for better or worse remains to be seen. While Born To Die had hints of underlying pop tones and impressive build ups to memorable choruses, the new project maintains the same somber vibe throughout, highlighting Del Rey’s songwriting improvement and the use of over dramatic production. Preceded by four singles, including “West Coast” and “Shades of Cool”, the new album is a far departure from the artist’s controversial beginnings. Ultraviolence, a term taken from the film A Clockwork Orange, further cements Del Rey’s status as a soulful, lively vocalist and a vivid story teller. For her official sophomore album, following an extended play release, the “Video Games” crooner is getting dark and moody. In just two short years, Internet superstar Lana Del Rey has achieved mainstream success after a clever name change, a critic-dividing debut album and a few hit-or-miss live performances.
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